Showing posts with label Jeremy Renner. Show all posts
Showing posts with label Jeremy Renner. Show all posts

March 13, 2017

Captain America: Civil War

Anthony Russo, Joe Russo - 2016
4/5
Along with the Iron Man films, the Captain America Marvel installments have proven to be the most dependable and consistent, possibly even more than the former. Winter Soldier was such a solid film that I was convinced I will give them all a view when the opportunity arose. When I was browsing through Netflix and saw Civil War - the only thing keeping me from putting it on for so long was the 147 minute run time. Interestingly enough, while Captain America is a central figure in the film, Civil War could really be a stand-alone film not bound to the Captain America narrative. This is the first film to put normally very friendly characters at odds with each other. There's always the small conflicts and differences between the various characters but this is the first outright battle story.

Faced with the global ramifications of some of the collalteral damage that the Avengers created, the UN has drafted an agreement holding the Avengers accountable for their actions. Tony Stark, feeling the weight of his actions, is eager to sign the agreement while Steve / Captain America is against doing so. The main thing keeping Steve from signing is it pits him against his old friend Bucky (Winter Soldier) who has been accused of a terrorist attack and is now a global target. Steve being loyal and protective to Bucky forces him to create a Captain America vs. Iron Man dilemma.

The tension builds between Tony and Steve and while the divide grows between them, they both build their own camps on each side. It all erupts into one of the big moments which of course is the battle sequence between them all. The delicate balance of conflict leading up to it is so impressively well-done. It's also another great showcase of these well developed characters in the Marvel Universe coming together in these big moments.

Civil War actually did something for me that hasn't been done since I saw the first Avengers film back in 2012. I admit that, like many other people, had become fatigued a bit by the constant superhero movie drops. Since that Avengers film, I would casually check in with the Marvel universe periodically, never at release point but with more of a "when i get to it" attitude. What continued to be absent for me was that level of excitement that I would get. That little boy excitement. Can't even remember the last time I had a gross sense of that excitement. Decades ago probably. But Civil War managed to resurrect at least a hint of it. Civil War also managed to resurrect a character that I had written off in Spiderman. Being a fan of the Tobey Maguire Spiderman films, when it was announced that Maguire was no longer going to be involved in the franchise and Andrew Garfield was taking over in a rebooted version I basically checked out. For me it was going to be just another product of money-hungry studios rebooting the shit out of everything and their inability to turn down the next dollar-making opportunity.

Tom Holland brings an energy to Spiderman that should have always been there. High School-age innocence and youthful naivety. Tobey Maguire was 27 when he played Peter Parker for the first time so of course he just wasn't able to fully capture a high school student. But Holland is 21, and could easily pass for a 17 year old. When he meets Tony Stark for the first time, he is at a loss for words and is completely star-struck. Later when in costume doing his thing, he talks too much and makes rookie mistakes just like any high school age kid would 6 months into having superpowers. There's a lot to look forward to with Holland in the Spidey suit. It seems like Marvel Studios cutting a deal with Sony may have saved the character from total mediocrity.

The level of quality that these films are working with should override the cultural fatigue that the marketing executives are inadvertantly unleashing upon us. There's no reason to believe that these films are going to degrade anytime soon.

November 16, 2016

Arrival

Denis Villeneuve, 2016
4/5
Denis Villeneuve is without a doubt one of the most interesting filmmakers working today. His filmography spans through different genres. Abudction thriller in Prisoners. Psychological thriller in Enemy. Dark family drama in Incendies. Drug action thriller in Sicario. They are films with a particular distinction, a noticeable intensity. They all carry a certain weight to them. They all feel like they were in the hands of a confident, capable filmmaker. 

Arrival is his first real dab into sci-fi genre, a taste of maybe what we can expect when his take on Blade Runner is released in 2017. Arrival is an adaptation of a Ted Chiang short story that got tossed around by the studios quite a bit before finally getting some life. Starring Amy Adams, it is rooted in an alien invasion film but has some real family-oriented emotion to it. Its what a film would look like if Contact and Independence Day had a baby. The visual elements are fresh and inventive. It refuses to dumb itself down. If it were to dumb itself down it would certainly feel much more like Independence day. And Arrival probably won't fill theaters like an Independence Day would. Its not that kind of movie. Its a thinking mans Sci-Fi. Like they should be. The way that the film plays with time and a non-linear format is really remarkable. There are moments of pure tension in this film. When the crew first enters the alien spacecraft and as they approach the glass wall the score kicks in with an incredibly loud humming that feels like Han Zimmer's Inception score. What a great decision it was to cast Adams. She possesses the perfect amount of vulnerability and curiosity needed for the Louise character. Villeneuve continues to create mystique around spider-like creatures in his films but instead of eight legged beings they are instead seven legged heptapods. The film explores questions about humanity, how we perceive the unknown as threats, how time can interact with our universe. 

It's probably the second best film Villeneuve has done. Incendies will continue to hold the number one spot for me personally but this is a movie that needs to be seen by cinephiles. The sci-fi genre doesnt typically get a lot of best picture love so this one probably will not get that time of recognition but its just another remarkable piece in Villeneuve's already impressive filmography.

October 20, 2015

Avengers: Age of Ultron

Joss Whedon, 2015
3/5
The Avengers sequel aims to fulfill the obligation or hope of every sequel: to build upon the first film and to raise the stakes. The early moments of the film find The Avengers in a more vulnerable state. Questioning their value as the saviors and guardians of Earth's inhabitants. They are aware of some of the collateral damage sustained. They are aware of the fact that maybe their high profile is drawing more attention than they would like. And when Tony Stark inadvertently gives birth to a highly functioning AI form named Ultron, they realize that they have another opposing force that seems to make Loki look like an amateur even with his army of flying worms.

Whedon has proven at this point that he is capable of managing a big budget superhero film and he delivers a satisfying sequel to the rather good first Avengers film. If anything, the film is probably a half hour too long, perhaps some of the fat could have been trimmed. With it's 141 minute running time, there is a such an overstimulation of computer generated action that it becomes almost numbing. It seems as though you can only watch the CGI Hulk destroy a handful of buildings before it becomes a bit redundant.

One other blemish with Ultron is consistent with the Superhero / Marvel movies as a whole; the obvious franchise building that goes on. Marvel is now owned by the Disney Empire. With that comes substantial financing for geeky content but they also have board-members they need to please every quarter when they report earnings. That whole element feels calculating, and it takes some of the romance away from the movies knowing that the studios intention is to hook you in so they can count on your next $9. The Superhero bubble will burst at some point down the road. Until then, there are films like The Avengers films that can appeal to a broad audience and entertain the masses, even if it is just a showcase of special effects.

January 20, 2013

The Assassination of Jesse James by the Coward Robert Ford

Andrew Dominik, 2007

5/5

A really great film. I'm mad at myself for not watching this sooner as it sat on my tv stand in the netflix envelope for over a month. The photography in this film is so beautiful. Amazing Vignette shots throughout the beginning. As the train approaches through the forest, the way Dominik used the light through the trees is one of the best shots ive seen in years. The pacing is so perfect, scattered violence isn't over the top or gratuitous. The setting, late 1800's Midwest, reminded me of "Deadwood" and "There will be blood". The song, "Song for Jesse" by Nick Cave & Warren Ellis, plays throughout the film and is now on one of my Spotify playlists. The cast is packed with talent. Casey Affleck, Brad Pitt, Sam Rockwell, Jeremy Renner, Paul Schneider all contribute great performances. If i made a list for top films of 2000-2010, this would certainly be on it. I plan on rewatching soon.