Showing posts with label Bank Robbery. Show all posts
Showing posts with label Bank Robbery. Show all posts

November 27, 2016

Hell or High Water

David Mackenzie, 2016
4/5
There was the period in time in the first half of the 20th century where the Western genre dominated movie screens. Many viewers could vicariously live the life of a Ranger; preserving justice and maintaining order the small dust-ridden towns. In 2016, we look back on the genre with nostalgia but that plot model is certainly passe. Those are generations gone. The prosperity isn't so obvious. The future doesn't show as much promise. The modern day America is built for a different type of Western that meet the screen.

Hell or High Water is a Southern Gothic / Neo-Western set in West Texas that is constantly looking back. Ranger Marcus Hamilton (Jeff Bridges) is looking back on his long career that is about to end, much to his dismay. His partner Alberto (Gil Birmingham) is the future; but even he is looks to the past. He looks around the town filled with run down strip malls and recognizes it as a place his family owned before it was taken from them. The town doesn't stop with the run down strip malls. The sidewalks are empty, there's an obvious sense of desperation. 

In the middle of the forlorn town are brothers Tanner (Ben Foster) and Toby (Chris Pine) who have decided to rob banks to come up with the money to save their family ranch from foreclosure. Very ironic; stealing the money and giving it back to the very people who you took it from - just in a different setting altogether. This is a concept that comes up a few times in the film, with some peripheral characters understanding and even supporting the brothers' actions. There's not much certainty in High Water though. You never feel certain that you are witnessing what will be a successful bank robbery. The brothers are impulsive and not always on the same page. But watching them is tense and riveting. Watching Marcus' skillful but relaxed pursuit is compelling in its own right, watching a tired expert just work on instinct. Not surprising at all if Jeff Bridges gets an Oscar nod for his performance here. Somehow he is able to bring an original and fresh character to the screen this late in his career. While actors like Pacino are bringing caricatures, Bridges is still bringing new characters. High Water is a slow burn that exudes something solid and impactful. Solid filmmaking, solid writing, solid performances. It offers characters are not black and white by any means, and instead are all intricate in their own ways. 

April 1, 2016

Inside Man

Spike Lee, 2006
4/5
Spike Lee's bank heist action thriller makes you wish that he would make more action thrillers. It's interesting to see a New York City bank robbery through Lee's eyes. Police egos battling over who has authority or who they have to answer to. Bystanders of all walks of life who seem to have nothing but time to stand beside a police barricade. And inside the bank, methodical robbers led by (Clive Owen) who seem to be three steps ahead of everyone.

The stellar camera work is immediately evident as you are shown New York Architecture. The movie really never fails to be easy on the eyes. With Denzel and Owen playing two opposing forces at odds with each other, the veteran acting is surely going to fuel the story. Every casting choice in the film feels good, EXCEPT Jodie Foster. As skilled as she is, as capable as she is, its a bit difficult to picture her in this role as some diabolically calculating female force. With Foster a sly grin isn't all that threatening. 

It gets to a point in the film where you really do not know how hings are going to play out. Is Detective Frazier is going to catch these guys and have his career moment. Or is Russell going to be sitting on a beach drinking pina coladas like he had promised? You really do not know. Its really a debate as to who you think is sharper. The cop or the robber? Spike Lee can be a divisive filmmaker for sure but Inside Man is one of his films likely to please most. While he typically makes loud statements on race and police culture, that voice is not so pronounced here. Not much to pick apart negatively with this movie. It's fresh, solid, well-acted, well-shot. Just a well rounded film and goes down as one of the better bank heist movies made. 

October 8, 2014

Heat

Michael Mann, 1995
4/5
A group of elusive professional robbers have met their match when there is a unexpected slip-up on a job and they find themselves suddenly in the sights of hot-headed homicide detective Lt. Vincent Hanna (Al Pacino).

Michael Mann's action thriller pits DeNiro vs. Pacino (one of three films that the two co-starred in together) to satisfy any movie-lovers dream. Set in the backdrop of the concrete jungle of 1990's Los Angeles, much of the film consists of night shots littered with thousands of squared lit windows as one of the many police helicopters present in the city drift through the sky. When present in the day hours, you are probably looking at a contemporary structure that seems to be holding on to the side of a southern California cliff. If you aren't there, you're in a bank or close to money which at that point you are probably muffling your ears from the sounds of automatic rifle fire. Much of the film is the robbing crew on the move, with Vincent's men hot on their tail. The best of the best. Not many bank robbers are pulling architectural plans before a job, and not many detectives are meeting criminals at a club at 2AM for a ambiguous tip that may or may not even pay off. Dedication on all fronts. It's that cat and mouse concept that keeps the film compelling, although there are so many layers to this great picture to follow. Heat is home to one of the great bank robbery scenes of all time, and if you haven't seen this film you've probably heard about it. It's a lengthly action drama that's not without some over-dramatization, some over-acting by the wavering Pacino (although he provides some of the most memorable quotes on film that are forever in your brain), and some questionable plot-holes here and there. But you're willing to let the imperfections go. Even if you've seen this film a few times and you revisit it years later, you are bound to find something new.