Showing posts with label Burglary. Show all posts
Showing posts with label Burglary. Show all posts

March 21, 2017

I Don't Feel At Home In This World Anymore

Macon Blair, 2017
4/5
Anyone familiar with Jeremy Saulnier's films is going to recognize Macon Blair. Blair has had roles in every one of Saulnier's feature films from Murder Party to 2016's Green Room. The pairing is almost like a dark art-house variant of Scorcese and Dicaprio where Saulnier has clearly found someone he can remain confident in who shares similar sensibilities. All of Saulnier's films have dark elements to them and Blair is responsible for carrying a bulk of the weight of those very tones to the screen in Saulnier's movies. He is a very distinctive actor. More of an internal force, playing more reserved characters who have a certain level of unpredictability to them. With them having so many cinematic collaborations with each other of course one of the big questions going into this directorial debut of Blair's is going to be "does it feel like a Saulnier film in any way"? The answer is yes, but to avoid marginalizing this very good film we should just say it feels inspired by Saulnier in ways but also feels like it really has some identity on it's own.

You could describe this film as an adventure into the underbelly of society, if, say, you caught a junky stealing from you and you followed him home. But junkies don't live in modest homes. They live in condemned houses, or in the woods. So now imagine that you continued to follow this junky into the woods. Instead of getting too creeped out when you find a bum-camp in the woods you decide to get out of your car to further confront the person. Of course the depths that you could venture down with these types of people will continue to descend lower and lower. These are the types of people who lurk in the shadows. They come out at night. Ruth (Melanie Lynskey) is not this type of person. She is a 9-5er who is bound to a mundane daily routine.

Lynskey (who has a lot of indie credits under her belt now- Happy Christmas, Perks of Being a Wallflower, etc) is completely fitting and really nails the Ruth character. Ruth is a person that is having one of those totally identifiable bouts of misfortune. When you feel like the world is just shitting on you over and over again. She drowns her sorrows at home, and when she discovers the break-in the theft of her aunt's silver is the last straw. I Don't Feel at Home reveals itself to be the black comedy that it is when Elijah Wood's Tony character appears. Wood is so great in this movie and it's really refreshing to see him continuing to take on indie roles like this when he could just take a pass on everything and enjoy his Hobbit money.

A lot of elements of this film continue to stick with me days after viewing. Blair has veteran indie sense and clearly understands pacing and character development. I Don't Feel at Home is a movie I will be pushing on the people around me. I am actually eager to get another look at this one again soon. 

December 5, 2016

Don't Breathe

Fede Alvarez, 2016
2/5
Don't Breathe has the problems that so many of the horror thrillers have that are churned out these days. Starting off with an unrealistic grouping of people. You have beautiful girl Rocky (Jane Levy) who is supposed to be trailer trash but doesn't look like the product of any trailer park anyone's ever seen before. You have straight clean cut Alex (Dylan Minnette) who it just so happens that his father works at the alarm company so he has the master key to every customers house they rob. Then you have dirtbag kid Money (Daniel Zovatto) with the vulgar mouth who is the romantic interest of the trailer girl. The chemistry on screen matches the believability of the couple. Zovatto was really great in last year's It Follows, but is awfully miscast here. Certainly not his fault. The Money character is just downright annoying and one dimensional.

For a while they are burglarizing homes and staying under a $10K theshold - so that if they get caught they can't be charged with grand larceny. Then they hear about a house owned by a blind man that is rumored to have $300,000 in cash. This money was obtained through a settlement after his daughter was killed in a car accident. They look at this job as their big opportunity, the one that they have been waiting for. The last job. With this money Rocky and Money can go to California together. it's their ticket out of Detroit.

So they descend upon the house. But I had forgotten to mention that the blind man is a decorated army vet. But of course the trio doesn't care. It's not like being in the Army prepares you for any type of combat situation; oh WAIT that's exactly what it does. Oh yeah, and when you are blind all of your other senses are heightened. To the films credit, some of the moments inside the house are tense. Reminiscent of Hitchcock's work. The concept of burglarizing a blind man's home and him putting up a fight is actually quite original and intriguing. Alvarez should get some credit for good direction but some criticism for such a weak script. First off, you are supposed to believe that the only reason Alex is really helping them is because he has a crush on Rocky. Otherwise, there is no single reason he would get involved. He's a normal middle class kid who would have no reason to get mixed up with the other two. This makes Alex less greedy than them, and when things start to turn south he bails on the blind man's house. But he hears gunshots and comes back. How many times are we going to let the hero return to the house in horror movies? It's not much different than running up the stairs. Oh yeah, that happens here too. If you were in a blind man's house and you were trying to disorient him to escape, instead of running couldn't you just throw things all around and confuse him? What also needs to be mentioned is this house is located in a completely abandoned section of Detroit which conveniently creates a situation where there is no police presence. So this takes care of that constant gun shots being fired problem that might draw attention.

Don't Breathe is a disappointment. Last year's It Follows taught us that some creative horror films can come out of nowhere where new things can be done. After seeing all of the positive reviews related to this film I thought this could have been this years It Follows. Boy was I mistaken.



There is a reveal about 3/4 of the way through the film that I have to acknowledge. But this is borderline spoiler material so read on at your own risk.