Tangerine

Sean Baker, 2015

IMDB

3/5

Somewhere between the grittiness of Larry Clark's 1995 Kids and the unrestrained three-trans-female comedy To Wong Foo Thanks for Everything lies Tangerine - a micro-budget indie picture, produced by the always ambitious Duplass brothers, shot on 3 iPhone 5’s. Visually, it’s a luminous piece that has you immediately forgetting that it was created on something that’s in your own pocket. But it’s a character unraveling piece combined with a revenge drama, all taking place over the course of a single day. Sin-Dee (played by scene-stealer Kiki Rodriguez), is fresh out of jail and eager to unleash her fury on pimp Chester after discovering he had been sleeping with someone else while she was locked up. Aided by companion Alexandra, she promises her “no drama” and goes on to give her nothing but drama as she scours the back-alleys and decaying streets of Los Angeles looking for the guy. You get a sense that nothing very violent will happen when Sin-Dee reunites with Chester, that it’s more about the journey and not the destination.

It’s really a film about the lost souls of L.A. Most of the characters depicted are misfits just trying to find their place in the world. Some of them are not even looking for much either, maybe just some stability and a roof over their head. Sin-Dee, clearly the most short-tempered, is looking for security in a life filled with nothing but turbulence. Alexandra aspires to be on the stage with genuinely engaged faces watching from the crowd. Armenian Taxi Driver Razmik is stuck in a marriage that he is not interested in and looks elsewhere. But because of their jumbled place in society, they end up continuing to live their lonely lives that involve them roaming through the dirty streets. They are people that want to be acknowledged. Acknowledged by someone more than a random traveler willing to throw them a few dollars.

As mentioned before, Rodriguez is the stand-out performance of the movie. But there is much to remember about this film that can be accused of being aimless but is undeniably honest. It’s a well-crafted film that balances comedy with sadness. Focusing on some interesting people that have some real struggles in the world. Where having a dollar for the bus and having another dollar for a donut is a good day. The fact that it was all done on such readily available equipment just shows that anyone can make a film, and hopefully Tangerine inspires a generation of young filmmakers to do just that.

Jeff, Who Lives At Home

Jay & Mark Duplass, 2011


3/5

          Jeff (Jason Segel) is running an errand for his mother, who he still lives with (surprise) when he gets caught up in a chaotic whirlwind of too-real marital drama involving his brother Pat (Ed Helms) and his wife Linda (Judy Greer).
          This comedy is directed by brothers Jay and Mark Duplass (The League). In the beginning of the film, they do one of those introductory scenes where you see photo-shopped photos of all of the actors in the film at various points in their lives. I wonder if there is a GO TO graphic designer in Hollywood who excels at making these. While the film at times feels like paint-by-numbers comedy, there is a noticeable sense of smart writing and impressive acting. Segel and Helms fit into their roles really well as brothers, and the real moments between them feel authentic. Segel is particularly impressive in his role as the introspective loner who is on his own path to enlightenment. His eyes are open, and he's looking for answers. Susan Sarandon really displays her natural acting chops - there's a hypnotic effect to her acting that I have really come to respect. That being said, although she provided some veteran acting to the film, I wondered while watching: was her character even necessary? Shouldn't the film just be focused solely on the dynamic of the two brothers? The film effectively examines an interesting concept of a brother who hasn't left the nest, and is living life on his own terms and own pace is ironically the one who is together mentally. The brother who is out of the house and married may live up to society's standard but is actually impulsive and not in touch with his own emotions.
          While the writing and acting are the most impressive elements of the film, the cinematography is not. Jas Shelton's camera work is guilty of having too much shaky-cam and erratic close ups. I think the scenes would have been better served by medium shots where you can see the two parties conversing. In a film where there doesn't seem to be an emphasis on style, there should have been room to let the actors breathe in the shot.
          I wonder how much of the relationship between Jeff and Pat is loosely autobiographical of the two Duplass brothers. With the over-saturation of horrible comedies out there nowadays, there are refreshing features to this film and I am curious to see what the Duplass brothers do in the future.