The Impossible

J.A. Bayona, 2012

IMDB

4/5

There are disaster movies that focus on the disaster, and then there are disaster movies that aren't really disaster movies because they focus on the characters that are victim to the disaster. The Impossible is definitely the latter of the two. A disaster film with a heart. Focusing on an English family of five, they are on Christmas holiday in Thailand in 2004 when the historic tsunami hit their beachside resort. The images of this natural disaster have been in my memory for the past 13 years since it happened. Seeing the beautiful country decimated by Mother Nature so quickly. I remember seeing the amateur footage on Youtube back when the disaster occurred.

Bayona's immediate accomplishment with this film is getting you invested in the characters so quickly. Without this they would be nameless faces dealing with the destruction. But instead, you are familiar with them very early on. You see their vulnerabilities as they sit on an airplane on their way to their vacation spot. Maria (Naomi Watts) has anxiety from the turbulence. Henry (Ewan McGregor) has some OCD tendencies with trying to remember if he had set an alarm at home before they left. These elements cleverly humanize them and help to generate empathy early.

When the tsunami hits, it doesn't feel like a bastardized CGI construct. It feels like an authentic force. The film doesn't heavily lean on the CGI though. It feels completely necessary, like its just enough. How it should be. A supplemental tool in the absence of the real thing. There is an obvious sense of panic. You are left with no real answers as to which members of the family have survived and which members have perished. The film then evolves into more of a gripping survival film as a wounded and incomplete family desperately tries to become complete again.

The sense of desperation and heartbreak resonates throughout the film and I can't remember the last time that a 2 hour running time passed by so quickly. Watts and McGregor deliver remarkable performances as they usually do. Surprising to see that Watts was the only one that received attention from the Academy with a Best Actress nomination (she lost to Jennifer Lawrence for Silver Linings Playbook). McGregor really deserved a nomination too. It's actually quite surprising to realize that McGregor has yet to receive a single Oscar nomination in his entire career when you remember his performances in films like Trainspotting and Big Fish. The Impossible is a really gripping film, rich in detail. History should be kind to this film. A really accurate look at one of the most tragic and destructive natural disasters in our modern era.

Deep Impact

Mimi Leder, 1998

Can I Stream It?

(REWATCHED)

3/5

A comet is on a collision course with earth. If destroyed, a group of astronauts will have saved the world. If not successfully destroyed, it could be the end of life as we know it.

History hasn't been so kind to Deep Impact, and perhaps that's not right. Perhaps it hasn't gotten it's fair shake. In the world of mostly-bad big budget Hollywood blockbusters, Deep Impact is one of the better end-of-the world pictures. Pitted against Armageddon in the summer of 1998, Leder's doomsday film is worlds above Michael Bay's uninspired Aerosmith-fueled crap-fest. And by no means is this film perfect. Neil Degrasse Tyson probably throws his iPad at the screen when it's on HBO. The idea of landing a spaceship on an giant asteroid and igniting a nuclear bomb in the core of it is a bit over the top. There's some obviously bad performances (Leelee Sobieski & Elijah Wood being two of them). But if you can suspend disbelief, there is some meat on the bones. The build up of the story is done well, and never really falls off the tracks. The ongoing story threads: the government trying to minimize the destruction, the media reporting it, the general population processing the reality of what's going on, the astronauts on their mission to save the world - they all move through the film without really petering out. The idea of a lottery system in place for an emergency evacuation is actually impressively detailed and has a certain moral component to it. Jenny Lerner's conflict with her father marrying a younger woman touches on the micro part of the story. Morgan Freeman isn't bad as the first President of the United States with a tattoo. The special effects are quite solid, they even feel quite ahead of their time. Robert Duvall is good in anything you put him in. There's some accidental comedy too, like the guy reading the newspaper in Washington Square Park at a time when it makes absolutely NO sense to be reading one. There's something seductive about Deep Impact, even if it is just a guilty pleasure that has you waiting to see the big climax. But an argument can be made that there's more it than that. Such as the beautiful score playing through the end credits.