The Wave

Roar Uthaug, 2015

IMDB

4/5

The Wave does something that a lot of American disaster movies rarely do. It develops the characters to the point where you have a genuine investment in them. In this sense, the Wave doesn’t pile on the budget on CGI effects of landmarks getting destroyed by Mother Nature. The Day After Tomorrow, Armageddon, Volcano. They all leave you remembering some of the visual elements involved but don’t leave you remembering any of the characters really. The Wave is more generous. Because of its restraint, and it’s carefully executed construction, it gives you more walking away from it. It gives you some really memorable visual elements but also provides some characters that you will remember as well. And with the synergy of both, the actual disaster has more of an emotional impact and less of a simple feast for the eyes popcorn fodder. 

We discover quite quickly that main character Kristian (Kristoffer Joner) is in a transition in his life. About to leave a geology position that he is very personally invested in to take on a high paying gig with the oil industry. You realize that he is doing this as a sacrifice for his family, to try and give them an upgrade. Likely a giant sacrifice for him that he still struggles with. He finds himself not able to easily walk away from his position, and he couldn’t started the move at worse timing (or best depending on how you would like to frame it). In a perfect situation, Kristian leaves during a really boring period where there is no activity on the computer monitors. But up until the very last minute of him about to get on the ferry boat out of town, there is activity in the mountain. And he physically cannot turn his back on it. This makes sense, someone so passionate about their job, not being able to turn their back on something they spent so many years obsessing over. Even with the conflict that it puts him in with his own family, as shown when he leaves his kids in the car to embark on a helicopter survey of the mountain. He is a man who thinks of work first, and family second. Like a lot of fathers and husbands of course, but not many have the same type of position as Kristian. But it’s a juggling act for Kristian. He undeniably loves his family very much. It’s an internal conflict for him, never really able to balance it effectively.

The big event doesn’t occur until close to the halfway point of the film. The ten minute clock ticking is a terrifyingly short window to find a safe place. When things unfold at this point, it’s completely tense and gripping. There are lots of interesting things going on at this point too. The things they are doing with water and light are so remarkable here. Some imagery that I can still easily bring up in my mind, and probably will for some time to come.

A unique and thorough production, The Wave is one of the best disaster films to be released in the past 10 years or so without question.

Antarctica: A Year On Ice

Anthony Powell, 2014

IMDB

3/5

Antarctica is like Alaska to some of us. An unforgiving landscape, isolated, frigid. One of the last pure, natural territories. And yet, while it does seem like a rather uninviting place, there is something so fascinating about going there. Maybe its the adventurous nature to it. A continent at the bottom of our planet, very difficult to actually get to. In essence, logistically, it's like visiting another planet. Our technological advances have made it possible to stay there for an extended period of time. This documentary is about the people who do just that. These people, all employed by various countries and in a wide variety of positions, spend anywhere from a few months to years on "the ice" (as many of them call it). They basically live in airtight dwellings that resemble space stations. Their occupational duties consume most of their time, but there are gaps here and there where they can engage in recreational activities. With limited resources and restricted mobility, they have to work with what they have to pass the time. DVD's, Emails, reading,  conversation. There are periodic shipments of cargo to Antarctica that arrive in shipping containers that bring goods to everyone there. But its the little things that make this film interesting. What if you want a beer at the end of the day? Is it even possible to get a cold one in your hands? These types of things come up. Not so formally answered, but you do see an annual celebratory dinner event where multiple bottles of red wine fills the tables. We learn that no pets or children are allowed on the continent, so the whole living with your family is out of the question. How is the internet service you might ask? Well, it's there. But it's presumably satellite based, so probably not that good or reliable. You see that although they are completely removed from their families and friends, freezing their asses off, and heartsick over things we take for granted here (like avocados)... They are still happy to be there. So happy that many of them return season after season. It's a very fascinating piece of work filled with some stunning photography of the frozen continent and a lot of interesting people who are bold enough to venture to the bottom of the planet to spend some time there.

Blackfish

Gabriela Cowperthwaite, 2013

3/5

Seaworld continues to operate, even after trainers have been killed by killer whale Tilikum. This documentary interviews past trainers, past employees, and family and friends of the victims who detail their experience of their lives involved with working with the Orcas.

An interesting yet disturbing look at some of the most beautiful creatures on earth. Killer Whales that have been confined, exploited, and basically tortured for most of their lives in captivity. The film is quite deliberate, clearly trying to stir the pot of the Seaworld culture, hoping to draw attention to years of abuse to these intelligent creatures and to attempt to clear the air on some past incidents. There is clearly no positive effect to keeping these animals in captivity other than profiting from their elementary stunts that they are quite obviously underemployed to do. They are creatures that we hardly understand. The Seaworld corporation demonstrates one of the worst sides of the human race, throwing compassion out of the window for a buck. Their business ideals seem to match that of Monsantos, trying to drive profits and pay legal teams to cover their asses. And the Orcas are not the only ones to garner sympathy in the film. The trainers are also victimized by the Seaworld machine. Seaworld takes advantage of the trainers urge to work with animals and brainwashes them to believe the animals are enjoying their stay, and tries to sweep past incidents under the carpet.

Seaworld is not going to close their doors unless they start hating money, and that isn't going to happen anytime soon. Therefore, the market must dictate what happens. As long as people are sitting in the seats waiting for the obligatory splash from the tortured Orca, it wont end. At the very least, this film should at least make people think twice before visiting the park with their children. One of the subjects of the film mentions at one point: "In fifty years, we're probably going to look back on this chapter and see how barbaric we were". While the film succeeds in delivering its message, the resistance by Seaworld to be interviewed limits the perspective. Seeing the old school Seaworld commercials certainly provides a creepy tone. Listening to the ex-trainers recount is compelling. But overall it doesn't make a lasting impact, and feels like it could easily be more of a 60 Minutes special than a full documentary.