Going Clear: Scientology and the Prison of Belief

Alex Gibney, 2015

IMDB

4/5

Anyone familiar with The Church of Scientology likely has preconceived notions about it. It’s certainly been a force, at times a prominent one, in our modern American culture. Some don’t want to call it a religion, immediately dismissing it as a cult. Most people associate it with Tom Cruise, one of the more outspoken celebrity members. Some people may recall Isaac Hayes quitting his role as Chef on South Park after they decided to create an episode ripping it apart. With Cruise specifically, his involvement with the church has caused many to judge him differently, to question him. And would they be wrong to look at him differently? To question his judgement? After all, it is a “religion” created by the late L. Ron Hubbard, a controversial science fiction writer who spent a portion of his life hiding from the U.S. government because of tax debt. The religion discounts the field of psychology. It promotes the belief that we are all immortal beings, forced to carry the weight of past life trauma. 

We learn in this documentary, it’s an organization with a lot of secrets. A lot of secrets that were concealed quite well for a long period of time. That may be the surprising element with this documentary, the magnitude of dark shit that has gone on for so long without being exposed to the public. The film interviews past members. These past members, which include screenwriter Paul Haggis and Sylvia Taylor, are not just low people on the totem pole of the Church. The interviewees are former high ranking members. Some of them even worked alongside Hubbard before his passing and even worked alongside now-leader David Miscavige. Because of this, you assume much of this is the truth. Child abuse, neglect, abusive labor, tax dodging, threats, larceny, harassment, greed, the list goes on. Even if you go into this film having a low opinion of Scientology, it’s sure to sink even lower. Even if you have heard some horror stories in the past, you are going to discover something you hadn’t known already. What does this film say about us as humans? Are we weak? Are we vulnerable? At times, most definitely. History shows that that the cults of the world prey upon the weak. There is always a charismatic, idealistic leader that tells everyone things that they want to hear and through elaborate and well-orchestrated manipulation he is able to gain followers. It's very difficult to discern The Church of Scientology from a cult. If they weren't able to weasel their way into tax-exempt status, where would it be now? If they weren't clever enough to pick up a few of the high-profile celebrity pitch-men would it even be in the dialogue? Is the organization now filled with members who, sort of like Christians, don't subscribe to all of the ideology but choose to just trudge ahead and turn the skepticism off in their minds? 

It will be interesting to see if this film has the same damaging effect on the organization that Blackfish had to Seaworld. It wouldn’t be surprising. This is the power of documentary film-making, when an expose can show you unforgettable things. Much kudos to HBO, it was certainly a bold decision to get behind this film. They must have been flooded with phone calls and legal threats from the church. Instead of hiding under their desks, they decided to green light a doc under their name that says a lot of things that people had been afraid to talk about for a long time. 

Vanilla Sky

Cameron Crowe, 2001

Can I Stream it?

5/5

Publishing empire heir David Ames (Tom Cruise) struggles to put the pieces back together in his life after a horrible automobile accident with lover Julie Gianni (Cameron Diaz)

Cameron Crowe is an interesting filmmaker, having taken many directions over the course of his career. He pursued his heart with Say Anything. He pursued his love of music (and of course his own history of journalism for Rolling Stone) with Almost Famous. He pursued personal reflection and personal unraveling in Jerry Maguire. He mistakenly tried to make a more populist kid-pleaser picture with We Bought a Zoo, but that feels like a film that didn't ultimately become what he had originally envisioned. But Vanilla Sky is his most interesting work, his most ambitious work, his most under-appreciated. It's already such a bold move taking one of the biggest actors in Hollywood at the time (Cruise), and disfiguring his face. That aside, he also demanded a big performance from Cruise who really did deliver. There are so many elements at work, some of them so obviously personal to Crowe. The way that this movie looks at love and death, memories, blossoming love. It hasn't been done exactly like this before. The effect of our memories on our subconscious. The impact of dreams. The toxic elements of our life that we fall into. Societal structure, technology, it's really all there. People often criticize this film for being too convoluted, confusing. That's actually quite surprising, because the reveal at the climax really does lay everything out there. The film really builds and builds, getting more complex. The final moments on screen our so powerful and emotional. It should have you questioning your own life, your own existence.

Edge of Tomorrow

Doug Liman, 2014

Can I Stream It?

4/5

Typically reluctant to get involved in the physical elements of war, Cage (Tom Cruise) finds himself on the battleground fighting against an invading alien force that has already destroyed much of the world. When he falls victim to one of the creatures during a firefight, he realizes that when he dies he awakens at the beginning of the day where everything starts over again.

Liman's Sci-Fi thriller is a mix between Groundhog Day and Starship Troopers (who would have though that would have ever been possible?). Cruise once again finds himself in the Sci-fi genre, where at this point he should feel quite comfortable having already starred in films like Minority Report, Oblivion, War of the Worlds -the latter two dealing with similar plots of aliens invading Earth. But where last year's Oblivion fell victim to dragging predictability, Edge really keeps you engaged and maintains it's rapid pace to the end. Unfortunately Edge fell victim to poor marketing, and didn't really perform well at the box office in early June 2014 when it was released. It should have done much better, seeing as it wasn't up against any big-budget action films but instead found itself up against tween-adaptation/tearjerker The Fault in our Stars. But it was probably too smart for the typical action-seeking-moviegoers who are still mourning the loss of Paul Walker from cinema, forever depressed about the unfillable hole in their precious Fast and the Furious franchise. But who cares about the numbers, really. The only unfortunate part of it is that Liman wasn't immediately praised for his work here, and he really should have been. Instead, the film will likely go on to maintain more of a cult status which is fine too. History should be kind to you Doug Liman.

The film is certainly not absent of lots of CGI and big-budget effects, but they really provide a complimentary dynamic to the brilliant screenwriting. It never feels gimmicky or ever makes you feel like there's any kind of imbalance. It doesn't just try to wear you down with stimulation. It's a heady piece that puts your brain to work. And along with the great writing, Liman puts some his familiar Bourne Identity film-making techniques to work again, with a lot of the erratic jumps and cuts. During the opening moments of the film you realize that the earth has been invaded by aliens as they land on earth on asteroids. You don't see them right away, and when you are finally introduced to them on the battlefield you realize how much of an unstoppable force they are. They sort of come off as a hybrid of Predator & James Cameron's Alien on amphetamines. By the time you actually have one in your sights, it's probably too late to take it down unless you have an impeccable shot. And Cruise's early work on the battlefield is anything but impeccable. Playing against type, he attempts to blackmail his commanding officer in an attempt to cowardly escape actual battle. It's a clever trick, because you really get a sense of his character's evolution as he has to repeat each day correcting his mistakes, hoping to eventually figure out how to defeat the mighty force. In a genre where is quite the disparity of quality, Edge manages to stand out while performing its own take on the alien invasion theme.

Oblivion

Joseph Kosinski, 2013

Can I Stream It?

3/5

Jack is a Drone Technician that services patrolling drones that defend the remaining habitable portions of Earth that haven't been destroyed by nuclear blasts that won the war for the human race. These drones keep the alien invaders still present at bay while Jack's organization can successfully complete their Nuclear Fusion accumulation mission off of the coast. Jack is told that the work is nearing completion and he will soon join the remaining members of Earth on a moon orbiting the planet Saturn. But he soon finds that the agency that he works for might not have been completely honest with him, and that there may be something more to the visions that he has been having in his dreams.

This Cruise-led Sci-Fi that gives nods to Minority Report, A.I., Planet of the Apes, to the Matrix and Blade Runner. The dystopian landscape is a truly a feast for the eyes, from the Sky-High contemporary pod house that Cruise's character Jack resides in or the multitude of gadgets that they use. These visual elements are the biggest perk of the film, the highlight probably being the spaceship / drone battle about 3/4 into the picture. In fact, the drones could easily be considered characters in the film. You never really get sick of those little sounds that they make as they zero in on a target, and if it's hostile you hear the couple of beeps before the enemy becomes nothing but disintegrated matter. Jack spends the first hour or so of the film showing you the modern planet. Manhattan is submerged under soil, with pieces of classic architecture still protruding from the surface. He even has his little nostalgic shrine that he sneaks off to periodically, where he can listen to rock LP's and read A Tale of Two Cities. Oblivion really feels like it has something going for it, that is until the reveal. At this point, it makes a predictable stroll to the end. By the end you are given a certain amount of closure but wondering why the hell it took so long to get there.