The Walk

Robert Zemeckis, 2015

IMDB

2/5

Robert Zemeckis has had a long career of directing unique / interesting films that have a lasting impact. Back to the Future, Who Framed Roger Rabbit, Death Becomes Her, Forrest Gump, Contact, Cast Away.. the list goes on. So much of his work is open for multiple viewings. So for me personally, he’s someone who I will see everything he does.

His latest work is a biopic of famed wire-walker Philippe Petit. Petit gained recognition for his daring stunt when he walked on wire between the two Twin Towers shortly after their construction in 1974. The stunt was the focus of the popular 2008 documentary Man on Wire. So going into the film you already know that it’s going to be a period piece / computer-generated simulation of the event, seeing as virtually everyone on Earth is aware that the Towers are no longer in existence. The casting of Joseph Gordon Levitt is welcomed, seeing as he is one of the more consistent modern working actors. 

But The Walk isn’t able to maintain that lasting impression that Zemeckis’ other films do. It’s a CGI-scape filled poor accents and not enough substance. First off, the Petit character comes off a purely arrogant, selfish man who doesn’t appreciate the people around him. One of which is girlfriend Annie (Charlotte Le Bon) who is nothing more than a extension of Petit’s huge ego. She, like the other partners, are barely allowed to show any identity. Petit is a person with tunnel vision. He cares about nothing more than walking the wire and making the front page. So you are forced to spend a great deal of time with someone who is really not all that like-able and challenging to become invested in. The only redeeming qualities of Petit’s character is really Levitt’s natural charm that sneaks through. 

It becomes obvious that the only real reward of the film is going to be his inevitable wire-walk in the end. At that point it’s just frankly hard to believe that Levitt is suspended above anything but a green screen. And his defiant back and forth across the wire while the police wait anxiously on both buildings actually feels dragged out and aggravating. Not to take away from the quality of the effects. It's quite amazing that buildings like the Twin Towers can be so beautifully reconstructed on film. It all looks real, no doubt about that. The cars below, the 1970's Manhattan skyline, the ant-sized cars slowly moving 100 stories below. Maybe it's the fact that the buildings themselves cause such an visceral reaction because of their historical importance, that it's difficult to the trick the mind into believing what you are seeing - specifically with those buildings. It’s understandable that Zemeckis would be interested in making the picture because it’s certainly an interesting story. But maybe it’s better preserved in the documentary category.

Don Jon

Joseph Gordon-Levitt, 2013

Can I Stream It?

3/5

Joseph Gordon-Levitt (Looper, The Dark Knight Rises, 500 Days of Summer) makes his directorial debut showcases him as gym-rat Jon, a serial one night stander who finally meets a girl he falls for. Unfortunately she quickly interrupts his long-going online porn addiction.

Levitt is typically seen playing the innocent type with more of a reticent charm. Here he is much more outgoing, basically playing someone straight of Jersey Shore central casting. A man of much routine. His life ultimately consists of little variation from going to the gym, to the club with the same friends, home with a random girl he meets at the club, and then to church every Sunday to scrub his conscience clean in the confession booth so he can later "enjoy" family dinner with his father (Tony Danza) screaming at him.

While MTV's Jersey Shore showed the world that there are actually people out there like the ones parodied in the film, Levitt's cast are ultimately caricatures of neo-italian New Jerseyians who hang their cultural pride high, they help to examine the concept of sexuality in our culture. The types who have that mythical family member who is "connected" that they threaten each other with over the dinner table while fighting over the last piece of Lasagna. Empty threats that are shouted underneath cheap-cloth Italian flags that they hang wherever necessary. 

The film examines the sex sells marketing concept and the outright hypocrisy that exists in the American culture. It's okay for the girls to watch the improbable, sappy romantic flicks but it's taboo for the men to watch pornography. The film also touches on the idea of the male population becoming less masculine and more metro-sexual. His examination largely works because he keeps it simple. Jon is so addicted to his streaming video in front of him because one, he is an enormous control freak. But more importantly, his impulses had been largely self serving for much of his adult life. And its sort of a collective approach by everyone hitting the bars at night. They are all basically feeding their inflated egos. When they go home with someone they met, its another knotch on their belt, not likely their future wife. As soon as Jon realizes that there is more of a partnership to true lovemaking, it all changes. Levitt could have easily tried to prove himself to the film-making community by biting off more than he could chew. He could have confused his freshman project with too many story threads, too much abstraction, or could have gone in heavy-handed. But he didn't. And the final product felt more confident because of it. Good for him. 

Looper

Rian Johnson, 2012

3/5

You can convince me to see practically any film that has a time-travel theme to it. When I heard about Looper I was interested immediately. Joseph Gordon-Levitt has really grown on me and I think hes going to be in the upper-tier of leading actors for years to come. His performance in the film was good, although it was a bit distracting seeing him with the facial prosthetic. Bruce Willis plays his future self and I'm convinced though that Willis is going to shine in any sci-fi thriller if you give him a weird gun. Definitely plan on re-watching this in the near future.The best performance in the entire film was probably the kid in the farmhouse.