Inside Out

Pete Docter, Ronnie Del Carmen, 2015

IMDB

4/5

Pixar Studios has become a trusted source of films that are going to grab the attention of young viewers but also appeal to adult audiences as well. Its no different for Inside Out, a visual feast for the eyes that is clearly an allegory for the growing pains of the tween years. It's a colorful film filled with invention. From the memory balls that roll through the infinite mind of main character Riley, to the personalized islands that are home to Riley's main personality traits. Imagination Land, or the Dream Productions area. The film has the god-like control center of The Truman Show with the kaleidoscopic visual elements of Wreck-it Ralph. You can draw similarities to the Toy Story films in the sense that the story focuses on unseen elements connected to a main character, looking out for them in a sense. Third parties that have a vested interest in a main character's well-being. And the Riley character has some uniqueness herself. Instead of being a chatty tween archetype glued to her cell phone, she is a goofy tom-boy type who is very into hockey. Refreshing character model.

It's interesting because you can easily simplify the plot of the film. You could say it's a movie about a girl who struggles to adapt when her family moves her from Minnesota to San Francisco. But because we are a witness to every thought and action that takes place, it creates a much more detailed story. Every single emotion is a character, a character with some true identity. So many memorable elements to take away from the film. It's a movie with some real heart, and some heartbreak to endure. Ebbs and flows. Another great Pixar film that will prove to be a timeless classic, ripe for multiple viewings.

Wet Hot American Summer

David Wain, 2001

3/5

It's the last day of camp and the hormones are running high. The camp counselors are in a heated offensive to hook up with a member of the opposite sex before everyone has to pack up and go home. While not everyone may have the same luck in the romance department, they are all pursuing closure in one form or another.
In this satirical take on 1980's summer camp films (written by original staff members of the cult-classic MTV series The State), WHO KNEW that all you really need is some isolation in a camp cabin and a couple sticks of gum? You are immediately served with some familiar faces (Elizabeth Banks, Paul Rudd, Bradley Cooper, Michael Ian Black, David Hyde Pierce, Amy Poehler), and you will continue to see more throughout the film. There is a youthful innocence to the camp staff, and everyone is likable in some way. The stand-out performance is by Christopher Meloni, who plays Gene, someone you rarely see playing a comedic role. Seeing Molly Shannon made me miss Molly Shannon! Be prepared to witness so much tongue-kissing that it leaves you wondering how fast the mononucleosis spread throughout the set. After watching I wondered what I would think of this film had I seen it ten years ago. Maybe I've become jaded... or GROWN-UP - but I feel I would have enjoyed this film much more when I was younger. That was a constant thought throughout: "Okay, that's funny even if I'm not laughing". I enjoyed The State back in the day, so that was a selling point for me here. It's not a perfect film, but its not meant to be. Wain succeeds in exaggerating some the common themes of the 80's summer camp genre (teen love, social stigmas, nerd outcasts, montages). What's admirable about this film is it doesn't take itself seriously. It has its flaws and it knows it does. So what if for every funny scene there is another to match it that trips over itself? While I wasn't amazed by it, nor laughing every second, I have to admit that I was entertained. It's an important film that has its place.