Inside Out

Pete Docter, Ronnie Del Carmen, 2015

IMDB

4/5

Pixar Studios has become a trusted source of films that are going to grab the attention of young viewers but also appeal to adult audiences as well. Its no different for Inside Out, a visual feast for the eyes that is clearly an allegory for the growing pains of the tween years. It's a colorful film filled with invention. From the memory balls that roll through the infinite mind of main character Riley, to the personalized islands that are home to Riley's main personality traits. Imagination Land, or the Dream Productions area. The film has the god-like control center of The Truman Show with the kaleidoscopic visual elements of Wreck-it Ralph. You can draw similarities to the Toy Story films in the sense that the story focuses on unseen elements connected to a main character, looking out for them in a sense. Third parties that have a vested interest in a main character's well-being. And the Riley character has some uniqueness herself. Instead of being a chatty tween archetype glued to her cell phone, she is a goofy tom-boy type who is very into hockey. Refreshing character model.

It's interesting because you can easily simplify the plot of the film. You could say it's a movie about a girl who struggles to adapt when her family moves her from Minnesota to San Francisco. But because we are a witness to every thought and action that takes place, it creates a much more detailed story. Every single emotion is a character, a character with some true identity. So many memorable elements to take away from the film. It's a movie with some real heart, and some heartbreak to endure. Ebbs and flows. Another great Pixar film that will prove to be a timeless classic, ripe for multiple viewings.

Finding Nemo

Andrew Stanton & Lee Unkrich, 2003


3/5

Set in the Great Barrier Reef, overprotective single-father Clownfish Marlin gets separated from his only son Nemo who gets caught by a fish collector who places him in a dentist's aquarium. Realizing that his son is in Sydney, he desperately attempts to rescue him and be reunited with the help of some newly acquired friends.

You know that when watching a Pixar film that there's something in it for everyone. The simplistic story structure and memorable characters are going to impress the young viewers, and there's still something engaging for the older ones. There's always clever twists, some kind of moral dilemma. The characters are going to provide some reflection of humanity. There's always going to be a consistency, and a standard of quality to Pixars films. And there's always going to be beautiful visual elements. Colorful coral reefs create a vibrant landscape, with a lot of activity. The characters themselves, while exaggerations of real life creatures, are given distinctive personalities like the surfer-turtle, or the recovering fish addict sharks. It's something you will obviously see in any animated feature, but Pixar does it flawlessly. And in the end, this is a film without any noticeable flaws.

With Nemo, you can sit back and hear Albert Brooks be Albert Brooks. That's never a bad thing. You're going to sit back and hear other familiar voices, like Ellen Degeneres, or Willem Dafoe - all well-placed. And while it may not make as much of an emotional impact as some of the other Pixar movies, it still carries weight and it's probably the most nice-looking of all of them. But the emotional impact is obviously a subjective thing. Perhaps a father would be more affected by this film losing a son, more than he would watching Woody get taken away from Andy in Toy Story. Everything ties together well in the end and Nemo is certainly one of the better Pixar films made.